RESIST

In collaboration, Astoria Visual Arts (AVA) and The Writers Guild welcome creative voices to explore the theme “RESIST” during an open-call exhibit at AVA, November 8 - 30. 

The Writers Guild and Astoria Visual Arts do not endorse or oppose any political party or candidate. All programming is offered for educational purposes to support and promote artists and writers.  

Astoria Visual Arts and The Writers Guild of Astoria welcome creative voices to explore the theme Resist during a community exhibit at AVA. Artists working in all media and writers of prose, poetry, and hybrid forms were invited to respond to the theme to encourage civic dialogue and creative expression. Selected works will be featured in an exhibition that seeks to amplify diverse voices and visions of resistance.

Historic memorabilia reflecting acts of resistance and an installation of protest signs curated by Indivisible North Coast Oregon will also be on view.

The exhibition runs November 8–30 at AVA’s new location, 959 Commercial Street in Astoria. Join us for the artist reception on November 8 during Astoria’s Artwalk starting at 5:00 pm, and see the show Friday–Sunday from 11:00 am–3:00 pm, or by appointment.

Literary submissions were read at the November 8th reception, and can be read digitally below.

LOST In Translation 
Arnie Hummasti

Many faithful of old heard and followed the carpenter’s creed:
Called to love one another and shelter and feed those in need.
But our time’s out of joint and the Gospel’s been turned outside in.
The profane is now glorified; all that was sacred’s now sin. 
Flocks of pious disciples today have annulled the divine. 
They’ve embraced a new covenant, hence to obey and enshrine. 

Their self-righteous messiah descended on grand golden stairs
To deliver amended beatitudes, pledges and prayers. 
You shall do unto others before they can do it to you. 
Hate your neighbor. He’s different. That long-standing friendship’s now 
through. 

Turn away all those strangers. They’re menacing. Don’t take them in.
Keep your weapons of war handy. Killing’s no longer a sin. 
Have no care for the masses there huddled at your golden door.
Give no hand to the least of them. Though you have plenty, take more.
Build up walls ‘gainst the tired and poor for you have what they lack.
Yes, they yearn to breathe free just like you, but they’re brown and they’re 
black. 

So just put them in cages and separate mother from child. 
They are lesser than you, to be vilified, scorned and reviled. 

Worship wealth. Greed is good. He who dies with the most moola wins.
So just grab all you can. You may lie, cheat or steal. They’re not sins.
The new creed is permissive. Unfaithfulness isn’t a shame. 
Be promiscuous. Follow the Leader’s the name of the game. 

If you’re struck on the cheek, strike ‘em back, but with twice as much might.
Might makes right. Be a bully. Taunt peacemakers. Goad them to fight.
For the meek shall inherit the dregs. They’re just candy-assed wimps.
The vain warmonger swaggers with bombast; the pacifist limps.

You see, war is now peace and vile lies are now truth. Let’s come clean.
Their Big Brother spews newspeak. Their clocks are all striking thirteen.
He claims freedom is slavery; ignorance, strength; fronts are backs.
And his followers mindlessly swallow alternative facts. 

True believers surrender their values and common good sense
To a modern-day Machiavelli with selfish intents. 

They were warned of false prophets, of wolves in disguise fleecing sheep.
But they ditched love for hate and disowned “What one sows, one shall reap.”
He told them forthrightly that he was a snake with thin skin.
And he sniggered at prey for so gullibly taking him in. 

If they’d pull back the curtain, they’d see that their wizard’s a fraud;
A nude emperor selling his snake oil, proclaiming he’s god. 
And the converts who worship this con man (all blindly fleeced)
Fancy fantasy promise lands, promised by fantasy priest. 

Their malign, sanctimonious “savior” extols his cruel creed.
He’s reopened Pandora’s dread box and its curses he’s freed.
His apostles embrace the vile venom disgorged by their snake,
And a graveyard of virtues is ruthlessly left in the wake. 

On the tombstones, the names of the fallen in this hallowed place:
Here lie mercy, civility, charity, fairness and grace. 

Can the dazed and misguided be freed from that mesmeric trance?
From that murky, dense fog of delusion? Perhaps there’s a chance.
For one lone thing remains in Pandora’s black box: it’s a rope.
So let’s pray for his prey now and pull out this lifeline called “hope.” 

The New, New Colossus:  A Tall, Green Bridge
Bunny Ryan-Keterman Peterson

After ‘The New Colossus’ by Emma Lazarus

Not like the brazen, pompous, bombastic “leader” of recent fame,
With his conquering lust, greed, and injustice astride our land;
Here at our sea-washed, tall, green bridge shall stand
A mighty group with signs, the messages
Whose voices scream out of our anguished souls,
“Our name is We the People!”  From our signs in hands 
Glows our righteous words; our passionate hearts and minds command
The sea-bridged wonder that frames Astoria.
“Keep, unworthy, shameful ‘leader,’ your ignobled pomp!” we cry
With loud, mighty mouths.  “Give us your resignation, so our elderly and disabled,
our poor, our immigrants, our children, our wonderful people, our huddled masses yearning to move freely,
No more the wretched refuse of you and your administration teeming with
corruption and chaos.
I send these, the hopeful messages, the tempest of our outrage, our anguish, our
WTF,
As we lift our signs
beside the 
tall, 
green 
bridge.

all of the psalm
Deborah Akers

blessed are the lit
human-made flames 
lilting
in black waters--

our laughter and resolve
grief, mercy, language 
courage braided by fear

myriad and mattering so

but for those sealed away
by power and greed:

may your arrogance molder
rot away in dank
abandoned corners 

your lies fester
rise with pus
and burst
for all to see

may the pain you wreak
spark into outrage 
that beats back 
your cold, beady glare

may you be mercifully
pierced and leaked 
into the waves
we all share

oh god of the fragile 
(and so us all)
thwart these warped ones
smite them 
with their own cruelty

help us ignite 
a glimmer of justice
in this long dark

Signaling for Sandra Bland
Katja Biesanz

Just over 10 years ago, Sandra Bland was pulled over in Texas for “failure to signal.” She was on her way to a new job. The officer opened her door and demanded that she step out. As was her right, she questioned that order and asked if she was being apprehended. She was forced out of her car, slammed to the ground, and handcuffed for “resisting arrest.”

Ms. Bland had already been pulled over numerous times in her life. She’d had it. She had posted videos trying to explain to white Americans how people of color were disproportionately stopped. In many jurisdictions, drivers of color are pulled over for minor infractions (such as a broken taillight) up to 53% more than white drivers. And this was before the current ICE profiling. I remember when I was in high school in Detroit that when a group of us went somewhere we’d have one of the white kids drive so we wouldn’t be pulled over.

The officer maintained that he had feared for his life as a justification for his violence. I note that this “afraid for my life” excuse is used frequently to justify killing by police. A sad thing is that with implicit racism, one can easily read threats where none exist.We need to train cops better so that they do not overreact. Yes, it's a dangerous job. We should be pickier about who gets to be a cop and train them more. Pay them more, too. I took martial arts training partially so that I would have the skill to handle situations without using unnecessary force — and I’m a civilian. The officer was convicted of perjury for claiming that he was in danger. He plea-bargained down to giving up his license to work in law enforcement. No further punishment.

Sandra paid with her life for her failure to signal. It was officially ruled a suicide.That is possible. After three long days in jail, not getting to her new job, how this lively woman must have felt to be treated this way yet again could have been cause for despair.

But I am sure they viewed Sandra as a “mouthy woman.” She clearly knew her rights and was not shy about it. She did threaten the cop by saying that she was looking forward to meeting him in court. She was right — he acted outside of the law — so much so that he was prohibited from ever “enforcing” it again. It could be that it was expedient to get rid of the problem and stage a hanging so that it looked like a suicide. Either way, I feel they killed her.

Ms. Bland’s cell phone recording was not provided to the family’s attorney, and was revealed only years later through a non-governmental investigation and lawsuit.

Since I first heard about this in 2015, even before I watched her phone recording and the dash-cam video and read about her advocacy, I have endeavored to ALWAYS use my turn signal, even if no one is remotely near. Her name and the month of her death are on my refrigerator, so I will see it daily, and remember.

Because I know, as a white person, that I will never be pulled over, I will never be jailed for failure to signal

Womb Sovereignty Song Lyrics
Samantha Zipporah

many fear my power

my power its divine

the church & state can’t regulate what lies between my thighs

o

the source of human kind

on your knees

all who enter must be

on their knees

to worship @ the shrine

o

the source of human kind

im a witch i’m a witch

i’m pure magic

i bleed but i dont die

many fear my power

my power its divine

the church & state can’t regulate what lies between my thighs

o

i decide the fate of human life

with my desire

many fear my power

because

my power is divine

Sometimes in the Night,
Patricia Baum

Sometimes in the night,

I feel the earth shake

Not a bomb,

not a war

Just a train, a black train

Passing through my dreams

Through this decaying town

We the people cannot speak

We the people cannot smell the smoke We the people let the train rumble by And take our promise away

On down the tracks into the night

Pledge
Tom Vandel

I pledge allegiance to the flag

but don’t hold me to it, and to

the republic for which it stands

I can only say I hope we keep it,

one nation embarrassing God,

indivisible hardly, going insane,

with liberty and justice and basic

human decency all on the wane,

lies multiplying like feral cats

and facts don’t matter one whit.

I pledge allegiance to not losing

my mind. Just hope I can keep it.

* In 1787, a woman at a dinner party asked Benjamin Franklin if the United States of America was a republic or a monarchy. “A republic,” he said, “if we can keep it.”

You Must Have Been Mistaken
Martha Ellen

I.
at your seventeen dawn “yes”
[he hates phonies most of all]
you do too Dearly Beloved
peaceandloveandallthat
punkin-lunkin pancakes
slathered in butter dripping
with sweet syrup 1966
“he’s such a gentle soul”'

at the dusk in a sidelong glance
s o m e t h i n g protrudes
through a weak seam or
causes an unnatural bump
to swell beneath the shirt

non-human eyes flit side to
side w e i r d tongue darts
from a drooling maw

gait like an ape
inexplicable
horrifying a guttural growl

[hallucinations you’re mistaken]

II.

Bridal illusion is a soft
mesh net fabric
often used for veils
or layered over opaque
cloth to create an
ethereal effect. Illusions
are peaceful places.
You preferred living there.
Plastic flatware was sterling.
Cratchit Christmases, gilded.
Paper plates, Limoges.

His plan to smother
you one Autumn day
on the uphill footpath
in the deserted forest
in northern Illinois
then sliding your infant
under the surface of
the nearby river until
she drifted away,
was thwarted only
by his overwhelming fear
of capture this time.

You were communing with nature.
Hippie-style. Silly flower child.
Not a run away, a tossed aside.
Didn’t see the hesitation,
slack face, disappointment,
nor his defeat and resignation.
His need for power and control.
You didn’t see anything, did you?

[You doubt. And you forget.]

III.

You rested your mind in the tangible.
The slippery satin quilt.
Butter pecan ice cream.
Sunny afternoons in Chicago
supported by Big Shoulders.
Civil Rights rallies. A fragrant rose.
Sapphire skies. Puffy clouds.
Cesar Chavez. NFWA picket lines.
Your baby’s first laugh aloud.
Road trips in the VW bus.
The soothing rhythm of lane markers
ticking like a time bomb.

Big birds threw shadows
across your eyes, too. Drifting.
Helpless with Neil in North Ontario.
Where “My darling, I don’t give a damn”
and “Tomorrow is another day” reside.
the forest with the uphill footpath

ceased to exist.
You found his secret poem.
Read over and over.

“The sag of her face as the life drained out.”
“The sag of her face as the life drained out.”
“The sag of her face as the life drained out.”
The hidden life of an upstanding citizen.
Fiction. Horror. Forget them.

Dissociated. Only in the Dark Wood
of dreams lurked the abandoned
factory in Tijuana and Alma,
the one before you.

[No one would believe you anyway.]

IV.

Nagging thoughts.
You remember.
Shadow people sneaking about
the ER. Your dad sitting sideways
on the gurney. Finger waving to quell
smaller fears. Like you, unaware
of greater dangers always hovering.

“Get lost!” You tell them.
You make them disappear.

But the stain on your favorite
shirt remains
even with a Fels Naphtha scrubbing.

There is no escape.

You try again. Break it down.
Rearrange shards.
Force tabs into the wrong blanks.
¡ayúdame! ¡ayúdame¡ ¡ayúdame¡
Screams fade into whispers.
One dense package. Lean. Spare.
Easy to hide in a small backpack
with paint brushes, the fancy poem
about cognitive dissonance
and an MFA thesis
alluding to unseen worlds.

Others saw the charade.
They believed you’d gone mad.
You let them.
You loved them.

[They were right, though.]

V.

Old and alone. Safe. His ashes
scattered in the Eastern Oregon landfill.
No more fingers to slip through.
No more dodging blows,
accommodating jabs.
Laughing it off.

You collect troublesome, stubborn memories.
Things no one else saw nor knew.
The degrading, belittling, mocking.
“You’re nothing. No one loves you.”
The locking out. Discarded like trash.
Held at gun point. Slapped. Shoved.
Bruised. The failed murder plot.

Bargaining. Lying. Coaxing.
Crocodile tears. Sly.
Begging. Fooling. Putting at ease.
Running so quick no one could catch you.
Not dead, but sometimes playing dead.
Threats of rape.
Your brilliant fast talk to get away.
[Enduring the times you didn’t.]
“Roll with the punches.”
Mom always said. And you did.

Pushing your walker through your garden
you pass by the white rosebuds, green lilacs.
Your friend, Jack the crow, balances
in the curved branch of the tree
with unripe figs. Enthralled by
cast shadows of ash tree leaves

fluttering in a gentle breeze

before they fall.

You revel in memories of the genius

of an unwanted girl who made a life

in spite of it all.

Your knees do not hurt.

You do not stumble.

You laugh aloud.

You toss these broken bits into the air

and let them land like scraps on your

sewing room floor or like pieces of junk

discarded along a back road.

You gather them up as they lay,

bind them together into a prize-winning

quilt to wrap around for warmth and comfort.

Or you forge them into plough shares.

An iron gate. Intertwining vines and leaves.

At every swing small bells ring announcing

departure or arrival.

You pass through into green pastures.

You lie down beside the still waters.

[You and Alma share the sweetest figs.]

In a time marked by upheaval, defiance, and transformation, we look to creative voices to explore what it means to resist. Resistance can be personal or political, loud or quiet, collective or solitary. It may take the form of protest, survival, reclamation, or imagination.

How do we push back against systems that seek to silence, erase, or control? What does resistance look like in your world—and in your work?

The Writers Guild of Astoria is a nonprofit that promotes the literary arts throughout the lower Columbia region. Learn more at www.thewritersguild.org.
The Writers Guild and Astoria Visual Arts do not endorse or oppose any political party or candidate. All programming is offered for educational purposes to support and promote artists and writers.